Living rooms occupied: Narratives on the recontextualization of the "Museum-Salon" practice in modern Turkish domesticity

dc.contributor.authorBici Nasır, Esra
dc.contributor.authorTimur, Şebnem
dc.contributor.authorGürel, Meltem Ö.
dc.date.accessioned2020-09-14T09:18:48Z
dc.date.available2020-09-14T09:18:48Z
dc.date.issued2019
dc.departmentİstanbul Medipol Üniversitesi, Güzel Sanatlar Tasarım ve Mimarlık Fakültesi, Görsel İletişim Tasarımı Bölümü
dc.description.abstractThis article discusses the notion of "museum-salon" and the changes in its perception and practices in the context of Turkish middle-class home cultures. Many authors have discussed the meaning of a prestigious living room allocated for guests only and addressed the existence of this room as an isolated space, detached from the household's everyday routines. Constructing these rooms with Western-style furniture and objects has been tied to Turkish modernization and the attempts to create modern civic identities and lifestyles, especially following the founding of the Republic of Turkey. This study questioned the role of an iconic living room with unused displays as a means to modern living, arguing, in fact, that the museum-salon both sustained and negotiated traditional domestic practices. Interpretation of the qualitative data gained through fieldwork conducted in Istanbul contributes to the ongoing discussion in which utilization of the living room for everyday life was considered an objectification of modernity and an internalization of individuality. Through the rejection of the isolated living room through use and customization around notions of individuality and anti-communitarianism, it traced the changing local notions of modern living. The changes and differences are related to the idea of habitus, as discussed by Bourdieu (1984), rather than simply being viewed as generational preferences. Open living rooms that were subservient to everyday life now defined the modern habitus, whereas closed ones were associated with being traditional and local. It could be inferred that this is the result of a belated modernity in the context of Turkish living rooms as people cultivate themselves, satisfy their everyday needs, and use the largest space in their homes according to their autonomies.
dc.identifier.citationBici Nasır, E., Timur, Ş. ve Gürel, M. Ö. (2019). Living rooms occupied: Narratives on the recontextualization of the "Museum-Salon" practice in modern Turkish domesticity. Home Cultures, 16(1), 63-92. https://dx.doi.org/10.1080/17406315.2019.1699739
dc.identifier.doi10.1080/17406315.2019.1699739
dc.identifier.endpage92
dc.identifier.issn1740-6315
dc.identifier.issn1751-7427
dc.identifier.issue1
dc.identifier.scopusqualityQ2
dc.identifier.startpage63
dc.identifier.urihttps://dx.doi.org/10.1080/17406315.2019.1699739
dc.identifier.urihttps://hdl.handle.net/20.500.12511/5798
dc.identifier.volume16
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.indekslendigikaynakScopus
dc.language.isoen
dc.publisherRoutledge Journals
dc.relation.ispartofHome Culturesen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/embargoedAccess
dc.subjectLiving Room
dc.subjectModernization
dc.subjectDomesticity
dc.subjectMiddle-Class
dc.subjectInteriors
dc.subjectPractice
dc.subjectSubject Classification Codes
dc.subjectMaterial Culture
dc.subjectEthnographic Fieldwork
dc.subjectQualitative Analysis
dc.titleLiving rooms occupied: Narratives on the recontextualization of the "Museum-Salon" practice in modern Turkish domesticity
dc.typeArticle

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